With so many beautiful portraits of
Katharine Hepburn, it was difficult to choose just one, but this photo is unusual with its
chiaroscuro—an Italian term for dramatic lights and darks--and I couldn't resist it. The woman had amazing bones and a powerful presence behind the camera to be sure. Loved her.
It's difficult to choose a favorite film role of hers. I loved her in her younger roles: she played a rich socialite in
The Philadelphia Story, and
a wacky and eccentric pet leopard-owning heiress in
Bringing Up Baby. Those are fun films. She holds her own against a constantly bellowing Peter O'Toole as Eleanor of Aquitaine in
The Lion in Winter... there was some seriously sharp, witty dialogue in that dysfunctional family flick. In Eugene O'neill's
Long Day's Journey Into Night, another Dysfunction Junction film, she portrayed a morphone addicted mother. Then there was the delusional and son-obsessed wealthy widow Mrs. Violet Venable role that she played in
Suddenly, Last Summer with Elizabeth Taylor
. She was a lonely woman traveling in Venice in
Summertime, and a graceful and gutsy wife who challenges unwritten social racial rules of the time in
Guess Who's Coming to Dinner starring with her long-time love, Spencer Tracy
. She portrayed a spunky strait-laced missionary alongside Humphrey Bogart in
The African Queen, royalty in
Mary of Scotland, and in one of her later films, she played a lovely old New England Yank in
On Golden Pond with Henry Fonda
. All of these films, plus many more, are my favorite—I couldn't possibly choose just one. She dressed well, always looked statuesque, and commanded the screen. Love that Miss Hepburn.
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